Reviews of Elizabeth’s Bedfellows by Anna Whitelock


Reviews of ‘Elizabeth’s Bedfellows An Intimate History of the Queen’s Court’ by Anna Whitelock have started appearing.

Review: Elizabeth’s Bedfellows – The Independent – 1 June 2013


World of Secrets by Miranda Seymour

‘…Anna Whitelock’s engrossing and admirably researched book…Whitelock’s excellent life of Queen Mary was published in 2009. With this dazzling portrait of Mary’s successor, she takes her place amongst the foremost – and most enthrallingly readable – historians of the Tudors.’

The Culture (Sunday Times), 26th May 2013, p34-35



Elizabeth’s Bedfellows Review by Iain Finlayson

‘With the lively imagination of a dramatist and the rigor of an academic, Whitelock discards the chastity belt of conventional royal history and presents Elizabeth in terms of the intimate politics of her life.’

Saturday Review (The Times), 25th May 2013, p 14



The Bedroom Secrets of the Virgin Queen by Frances Wilson

‘Whitelock’s fearless approach to Elizabeth…She too, has burst into the bedroom and shown us the Queen in her most private state. This is an intimate history of the court and a brilliant history of intimacy.’

Event (The Mail on Sunday), 19th May 2013, p 42-43


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23rd May 2013 – Elizabeth’s Bedfellows: An Intimate History of the Queen’s Court by Anna Whitelock


‘Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen’s court lay Elizabeth’s bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed.

Elizabeth’s private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge. For such was the significance of the queen’s body: it represented the very state itself.

This riveting, revealing history of the politics of intimacy uncovers the feminized world of the Elizabethan court. Between the scandal and intrigue the women who attended the queen were the guardians of the truth about her health, chastity and fertility. Their stories offer extraordinary insight into the daily life of the Elizabethans, the fragility of royal favour and the price of disloyalty.’

From Amazon.co.uk


Further details – Amazon.co.uk

Anna Whitelock



23rd May 2013 – Bosworth: The Birth of the Tudors by Chris Skidmore

‘The Battle of Bosworth has a legendary significance in British history. The last battle fought on English soil until the seventeenth century, and the last occasion that an English king would die on the battlefield, it was also the battle that brought an end to the dynasty of Plantagenet kings who had ruled since 1154, and heralded the birth of the Tudor dynasty. Yet the story of Bosworth is more than just the result of a few hours bloodshed on the battlefield. It is the culmination of the rise of the House of Tudor, a remarkable story which began fifty years earlier, when a page of Henry V’s ran off with his widow. It is the tale of the turbulent life of Henry Tudor, who, against the odds, rose from relatively humble origins and exile in France to overthrow the deeply unpopular Richard III. When this inexperienced young soldier landed in England in 1485 with 2,000 French mercenaries and a handful Lancastrian lords and knights, few could have predicted his campaign would end in with him seizing the throne of England. Drawing on a wide range of unpublished sources as well as new research that has only recently come to light, Chris Skidmore will disentangle fact from legend and relate the compelling story of the battle in full. BOSWORTH will also set the battle against the background of the storms of the Wars of the Roses, and paint a vivid portrait of this time of immense political ferment and social change.’

From – Amazon.co.uk

Further details – Amazon.co.uk

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BBC History Magazine’s History Weekend Interview with Leanda de Lisle


Leanda de Lisle emailed to say that she has been interviewed by BBC History Magazine for History Weekend.

BBC History Weekend – Interview with Leanda de Lisle

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BBC Radio 4 Drama – Edward, Edward


You have five days to listen to ‘Edward, Edward’ by Abigail Docherty. It was first broadcast on BBC Radio 4 on Monday 20 May.

From BBC Radio 4:

‘A two-hander about Edward VI and Lady Jane Grey starring brilliant young actors Oscar Kennedy and Izzy Meikel Small, first seen together in the BBC’s recent Great Expectations.

Aged just nine years old, Edward VI becomes King upon the death of his father, Henry the VIII. Together with his cousin Jane, Edward tries to negotiate the vagaries of life at court and to find a freedom when every move he makes is watched over by the tenacious Privy Council.’

Listen at:

BBC Radio 4 – Edward, Edward

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Two new free displays at the National Portrait Gallery


Queens and Consorts: Likeness in Life and Death


This free display opens at the National Portrait Gallery in room 3 on 12th June. Running until 28th February 2014, the display looks at the comparison between portraits and copies of tomb effigies.

‘Sculptural tomb effigies offer a fascinating comparative to painted portraits. This display focuses on a small selection of portraits of sixteenth-century queens and consorts, pairing copies of the sculpted effigies from the royal tombs in Westminster Abbey with painted portraits, in order to explore the process of exchange that occurred between the images that represent the sitters in life and those that memorialise them in death.
This comparison can be explored in the Gallery through the display of electrotype copies of the effigies. These were made by the Birmingham firm of Elkington & Co. in the late nineteenth century, and were based on plaster cast moulds taken by Domenico Brucciani. For example, the electrotype copy of Maximilian Colte’s effigy of Elizabeth I can be compared both with a portrait of her as a young queen, and with the magnificent image presented in the ‘Ditchley’ portrait by Marcus Gheeraerts the Younger, which is on display in Room 2.’ (NPG)

(from http://www.npg.org.uk/whatson/display/2013/queens-and-consorts-likeness-in-life-and-death.php)


Treasons, Plots and Murder


This free display opens at the National Portrait Gallery on 26th May in room 16. Running until 16th February 2014, the display looks at seventeenth century plots and how these events were portrayed in print.

‘The seventeenth century was witness to frequent and often gruesome plots, scandals and murders. From the Gunpowder Plot in 1605 to the Rye House Plot of 1683 the motivation was often religious; although religion and political power were inextricably linked during the Stuart period. Not all seventeenth-century ‘plots’ were plots at all; the Popish Plot of 1678 was fabricated by Titus Oates with a consequence that dozens of innocent people were brutally executed. Sexual politics could be equally controversial and were central to the case of the Thomas Overbury murder in 1613. This display explores these unwholesome episodes through contemporary prints and raises questions about the role that print culture could play in promoting a highly biased version of events.’ (NPG)

(from: http://www.npg.org.uk/whatson/display/2013/treason-plots-and-murder.php)

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