New book added to Books 2013

29th August 2013 – Witches: A Tale of Sorcery, Scandal and Seduction by Tracy Borman

‘Witches traces the dramatic events which unfolded at one of England’s oldest and most spectacular castles four hundred years ago. The case is among those which constitute the European witch craze of the 15th-18th centuries, when suspected witches were burned, hanged, or tortured by the thousand. Like those other cases, it is a tale of superstition, the darkest limits of the human imagination and, ultimately, injustice – a reminder of how paranoia and hysteria can create an environment in which nonconformism spells death. But as Tracy Borman reveals here, it is not quite typical. The most powerful and Machiavellian figure of the Jacobean court had a vested interest in events at Belvoir.He would mastermind a conspiracy that has remained hidden for centuries.’

From The Random House Group

Further details – Random House Group

Further details – Amazon.co.uk

Tracy Borman

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Reviews of ‘Crown of Thistles: The Fatal Inheritance of Mary Queen of Scots’ by Linda Porter


Reviews of ‘Crown of Thistles: The Fatal Inheritance of Mary Queen of Scots’ by Linda Porter have started appearing.


(c)  Andrew Lownie Literary Agency

(c) Andrew Lownie Literary Agency


‘In focusing on the family rivalries that led to Mary’s reign and fall, Porter has found a fresh approach to a familiar subject.’

Event – The Mail on Sunday 18/8/2013, p.37

You can read the whole of Leanda de Lisle’s review at her website:

Leanda de Lisle – My Review of ‘Crown of Thistles: The Fatal Inheritance of Mary Queen of Scots’]




The book is elegantly written, decently researched and, crucially, it will alert a new readership to a neglected subject.

Read the whole review:

Linda Porter: Crown Of Thistles – The Fatal Inheritance Of Mary Queen Of Scots – Review by Jonathan Wright – The Herald – 10 August 2013


‘A racy tale of Mary. Elizabeth and the dawn of a dynasty grips Melanie Reid’

… ‘Into all this phwoar and war steps the historian Linda Porter, cooly crafting the authentic story of how Mary, Queen of Scots and Elizabeth I came to be, rather than simply who they were. This is Porter’s unique selling point in a crowded field. She looks at the Tudors and Stewarts from the period of the queens’ great-grandfathers: two dynasties, English and Scottish, fighting like vicious neighbours over a Leylandii hedge, yet ultimately converging within the Union of the Crowns under James I & VI in 1603.

…Porter’s forte, though, lies in reappraising figures who have been neglected, as her biographies of Mary Tudor and Katherine Parr demonstrated.

This book is at its best when she alights on largely forgotten characters, in particularly Henry VII and James IV, the grandfathers of the famous queens.

…Her writing is bold, insightful and vivid…’

Saturday Review (The Times), 10 August 2013, p 12

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The Syon Portrait


Yesterday, Dr Stephan Edwards posted a report of his latest research regarding the Syon portrait of Lady Jane Grey. Building on his work over the last 3 years, the report contains the results of the dendrochronological tests on the two Syon portraits of Jane.

(c) Syon Park

(c) Syon Park

You can read his full report here:

Some Grey Matter – The Portrait of Lady Jane Grey at Syon House

Dr Edwards will be answering your questions about the Syon Portrait in mid August over at the Lady Jane Grey Reference Guide

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John Guy’s ‘Children of Henry VIII’ and Lady Jane Grey


I’ve just finished reading the excellent ‘Children of Henry VIII’ by John Guy. I don’t think I had read this quote about Guildford Dudley before?

‘Edward had the highest regard for Guildford, intriguingly describing him some time after the wedding to the councillors standing around his sickbed as ‘one of the sons of our guardian, the duke of Northumberland, and a man, unless I am mistaken, born to achieve celebrity; from him you may expect great things.’ (p. 143, Guy)

Guy also writes that:

‘Jane, stripped of the crown jewels and her canopy of state, was led from the royal apartments and put under house arrest at the home of William Partridge, am officer in thr royal ordnance within the Tower.’ (p. 148, Guy)

Eric Ives describes the former queen as being taken to ‘the house of Nathaniel Partridge, the gentlemen –gaoler.’ (p.249, Ives)

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Nasim reports on a talk about Katherine Grey and Edward Seymour


Nasim (Nasim@NasimT) has very kindly sent me a report of a talk she attended by Lynsey Wood.

Thank you very much Nasim.



‘The talk was by Lynsey Wood, a PhD student at the University of Lancaster. I believe her thesis is on female rule and the succession rights of the Grey sisters. The talk was a general outline of the Katherine-Seymour affair, so not really anything new to those familiar with the account. But in the audience was Carole Levin and Charles Beem and there emerged some interesting discussions.



Some points of interest:


Wood argued for Katherine’s commitment to Seymour, and believed it was a somewhat one-sided affair – she remained devoted to him, whilst he was more concerned with salvaging his position at court.


She discussed Katherine’s attachment to three rings given to her by Seymour, including the wedding ring comprising of a three-clasp design. She mentioned that Katherine refused to take off this symbol of her union with Seymour, which was valid in the eyes of the Church (whatever Elizabeth I thought about it). However portraiture of Katherine continued to depict her hands as bare. She argued that this was intentional, namely to appease the queen (and pointed out that these paintings went to some effort to have Katherine’s hands presented to the viewer). Someone in the audience – if I remember, Charles Beem – asked whether there was some ambiguity in the depiction of Katherine in the paintings. In the images of Katherine holding her infant eldest son, she resembles on the surface the Madonna with Child, but the absence of the wedding ring raises doubts about her virtue, thus casting her as a whore.


Wood did point out that she had tracked down records of the various reproductions of that famous image of Katherine with her son, and briefly mentioned demand for this image (I imagine because of Katherine’s royal status – the Elizabethan age marked an increase in demand for images of prominent figures, not least anyone linked to the queen). But these individuals made sure that their paintings did not contradict Elizabeth’s views of the marriage.


Charles Beem and Carole Levin got into a slight argument about Elizabeth I’s treatment of the Grey sisters. Beem cast Elizabeth as an embittered woman who had a major grudge towards the surviving Greys. Levin pointed out that Elizabeth’s concerns regarding the secret marriage of someone so close to the throne – indeed her heir for a while – was understandable. But she felt Elizabeth’s vengeful nature was really seen in her treatment of Mary Grey. Levin, who referred to Mary Grey as a ‘dwarf’ who made an amusing marriage to the exceptionally tall Keys, believed the youngest Grey girl was really the victim, more so than her sister.


Jane was talked about a bit near the end when someone asked why Elizabeth didn’t have Seymour and Katherine’s marriage annulled on grounds of close affinity because Seymour had once been betrothed to Jane (talk of which ceased when his father, the Lord Protector, was executed). They asked why much ado was not made of this – whether any prohibition in Leviticus could not be called upon in the case of a man betrothed to one sister, then marrying another. Of course technically there was no such prohibition – not only was the contract between Seymour and Jane not binding, and the legitimacy of her union with Guilford was unquestionable, but there was no such prohibition in Leviticus. Still, Elizabeth was as sneaky as her father and could have twisted canon law to suit her needs. But she did not, and this was left as an open question. (My guess is that Elizabeth wanted this whole issue over and done with and little talked about/debated, partly, I suspect, because she knew full well that there was no invalidity to the match. Also by raising this point she was potentially attacking the memory of Jane Grey, already heralded by Protestant polemicists as a godly, martyr-like figure. I doubt whether Elizabeth wanted to get people talking that much about Jane).


Not much was said about the remaining Greys, except for a brief mention of Frances Brandon/Grey being involved in talks for a union between Seymour and Katherine but dying before she could approach the Queen on their behalf. Had she lived then the affair may have been very different.’

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