Lady Jane/Streatham Portrait


The National Portrait Gallery’s ‘Lady Jane/Streatham’ painting is no longer on display at Montacute House in Somerset.


Room 2 - The Court of Henry VIII Montacute House

Room 2 – The Court of Henry VIII
Montacute House


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Another look at…the wedding of Lady Jane


The 25th of May was the 461st anniversary of the marriage of Lady Jane Grey to Lord Guildford Dudley. In November last year, Dr Stephan Edwards announced on his website, Some Grey Matter, his discovery of two letters that mention Jane.

I thought that Jane and Guildford’s wedding anniversary would be a good time to look at what, if anything, these new letters have added to our knowledge of their wedding.

Edwards writes that the letters appear in the third volume of ‘Lettere di Principi’ a series of ‘a collection of letters to, from, or about a wide variety of early-sixteenth-century European rulers, noblemen, and princes of the Roman Catholic Church’ (1), which was published in 1577 by Giordano Ziletti. According to Edwards, the author and recipient of the letters are unknown but he thinks that they were written by a member of the Venetian diplomatic embassy.

This is the translation of the section of the first letter, dated 24th July 1553.

‘Northumberland has five sons, four of whom are already married, and a handsome youth named Guildford, [his] fourth son [who] was wedded to Lady Jane, whom Northumberland had in mind to make Queen, and perhaps with consideration that the crown might not only have been transferred to the head of the son, as already the same was said of them, but to seize it from there after a while for himself, proposing the inability of the young man to carry such weight as the administration of the affairs of the Realm, and his [i.e., Dudley’s] great courage, which truly was large. He might have had things done in fear of God. The Duke of Suffolk, Jane’s father, was persuaded of it, and overcome by the inducements and effective methods of this man. But the Duchess of Suffolk with all her household would not have wished [it], and the daughter was forced there by the father, with beating as well.’ (2)

This letter tells us the following about the wedding:

• Details about some of the wedding celebrations.
• Jane was forced to wed Guildford Dudley by her father Henry Grey, Duke of Suffolk.
• Her mother, Frances Grey, Duchess of Suffolk, did not want her to marry Guildford.

Eric Ives writes that the weddings were not mentioned by English chroniclers but they were mentioned in dispatches by the Imperial Ambassador and other members of the Imperial embassy. (3)

In a letter dated 12 May 1553, Jean Scheyfve wrote to the Emperor about the plans in place for the wedding.

‘This Whitsuntide the marriage of the Duke of Northumberland’s son to the eldest daughter of the late Duke of Suffolk is to be celebrated. They are making preparations for games and jousts. The King has sent presents of rich ornaments and jewels to the bride.’ (4)

He sent a further report to the Emperor after the 25 May that, ‘the weddings were celebrated with great magnificence and feasting at the Duke of Northumberland’s house in town.’ (5)

In another letter dated the same day (30 May 1553), Scheyfve gave further details to the Bishop of Arras.

‘ M. de Boisdauphin was invited to the weddings and banquets, to which he went on the first and second day. The new ambassador was not asked; but M. de L’Aubespine and the Venetian ambassador both went on the second day.’ (6)

Giovanni Francesco Commendone (‘a papal secretary sent by Julius III’) (7) in his 1554 account of ‘Events of the Kingdom of England,’ included the following details.
‘Therefore the wedding was performed the same year at Whitsuntide with the most splendid ceremonies and with the attendance of large number of the common people and of the most principal of the Realm.’ (8)

According to Dr Edwards’ translation, the author of this new letter wrote:

‘So that finally the wedding was conducted with such splendor that I have not seen anything similar in this kingdom. One of the days of the festivities, Jane not being out to dine in public, the Ambassador of France and that of Venice took her place, between two Marquesses, one on the right and the other on the left. At another table were Duchesses and Baronesses. The Ambassadors’ table was served as though Jane was there, that is to say by Lords and honored gentlemen, and kneeling with every ceremony toward the Ambassadors as would be shown to the King at a solemn banquet.’ (9)

Although Scheyvfe’s letter to the Bishop of Arras states that the festivities lasted two days, from this new letter, we learn that Lady Jane Dudley was not present at one of the banquets. From Jean de Scheyve’s letter of 30th May, we know that the Venetian Ambassador attended the wedding on the second day. Therefore it would appear that Jane only dined in public on the first day.

The letter also gives details of how Jane resisted marrying Guildford and was beaten by her father. Historian Leanda de Lisle, has commented on the significance of the letter on her website blog, ‘the new letter also offers the first recorded mention of Jane’s father, Henry Grey, Duke of Suffolk, beating her, to press marriage on her.’ (10)

Ives writes that the first account of Jane being forced to wed was from Commendone. According to Ives, Commendone ‘arrived in London on 8 August and was back in Rome by 8 September.’ (11) Therefore, the earliest he could have heard of this was after the first week of August.

‘And he made arrangements to marry his third son to the first-born daughter of the Duke of Suffolk, Jane by name, who although strongly deprecating such a marriage, was compelled to submit by the insistence of her Mother and the threats of her Father.’ (12)

Ives states that one of the next mentions of force being used to persuade Jane to marry was in the ‘pirated edition of Girolamo Raviglio Rosso’s History of Events in England’, which was published in 1558. (13) According to Ives, the official version published in 1560 was ‘more guarded: ‘Although she resisted the marriage for some time…she was obliged to consent, urged by her mother and threatened by her father.’ (14)

De Lisle has also commented on the significance of the letter in terms of Frances, Duchess of Suffolk’s view of the marriage. She writes:

‘One of the many fascinating things in the new Italian letters discovered by Stephan Edward is that the first of these, dated July 24th 1553, describes how Frances opposed her daughter’s marriage to Guildford – something she is recorded as having told Mary face to face on the 29th, as I note in my book The Sisters Who Would be Queen.’ (15)

According to Ives, this view is also reported in Wingfield’s ‘Vita Mariae’, which is the ‘earliest English account’ of events of July 1553. (16) Whereas we have seen that both Commendone and Rosso reported that the Duchess supported the match.

As well as bringing to light a possible new detail about Jane at her wedding, this letter, as de Lisle has argued, gives the earliest evidence of the story that Jane was beaten into agreeing to the marriage and that her mother stood against it.

De Lisle questions the truth behind the version of events given in the letter, writing that:

‘It could be, of course, however, that neither Jane nor Frances had truly opposed the marriage and this was simply the stratagem to get a pardon, with Henry Grey’s actions explained by the fact he was ‘induced’ into agreeing to the marriage by Guildford’s father, Northumberland – an excuse given in the letter of the 24th as well as by Frances on the 29th.’ (17)

Whatever the truth about who opposed the marriage and how much the Duke of Suffolk had to be persuaded by Northumberland, this letter shows how quickly the blame was being placed on Northumberland by those involved. Jane’s reign came to an end on 19th July and by the 24th this version of events was in circulation.


Sources

1. Edwards, S. Some Grey Matter – Lettere di Principi, le quali si scrivono o da principi,
ragionano di principi – An Introduction to this source
Date accessed: 27 May 2014

2. Edwards, S. Some Grey Matter – Two Letters Concerning Lady Jane Grey of England, written in London in July of 1553 Date accessed: 27 May 2014

3. Ives, E. (2009) Lady Jane Grey: A Tudor Mystery, Wiley-Blackwell, p.185.

4. ‘Spain: May 1553’, Calendar of State Papers, Spain, Volume 11: 1553 (1916), pp. 37-48. URL: http://www.british-history.ac.uk/report.aspx?compid=88480 Date accessed: 27 May 2014

5. ibid

6. ibid

7. Ives, E. (2009) Lady Jane Grey: A Tudor Mystery, Wiley-Blackwell, p.29.

8. Malfatti, C.V (translator) (1956), The Accession Coronation and Marriage of Mary Tudor as related in four manuscripts of the Escorial, Barcelona, p.5

9. Edwards, S. Some Grey Matter – Two Letters Concerning Lady Jane Grey of England,written in London in July of 1553 Date accessed: 27 May 2014

10. De Lisle, L. http://blog.leandadelisle.com/post/67943904298/this-is-a-good-close-up-of-frances-brandon-mother Date accessed: 27 May 2014

11. Ives, E. (2009) Lady Jane Grey: A Tudor Mystery, Wiley-Blackwell, p.29

12. Malfatti, C.V (translator) (1956), The Accession Coronation and Marriage of Mary Tudor as related in four manuscripts of the Escorial, Barcelona, p.5

13. Ives, E. (2009) Lady Jane Grey: A Tudor Mystery, Wiley-Blackwell, p.183

14. Ibid

15. De Lisle, L. http://blog.leandadelisle.com/post/67943904298/this-is-a-good-close-up-of-frances-brandon-mother Date accessed: 27 May 2014

16. Ives, E. (2009) Lady Jane Grey: A Tudor Mystery, Wiley-Blackwell, p.107 and 321

17. De Lisle, L. http://blog.leandadelisle.com/post/67943904298/this-is-a-good-close-up-of-frances-brandon-mother Date accessed: 27 May 2014


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Anniversary of triple wedding at Durham House


Today is the 461st Anniversary of the triple wedding at Durham House. In ‘Elizabeth Fremantle’s ‘Sisters of Treason’, Katherine Grey remembers her wedding…

‘I was married in this spot exactly,’ I say to Jane Dormer.

From the instant I walked into Durham House on the Strand, my mind was flooded with memories of the day, six years ago, that I was wed alongside my sister Jane, and Katherine Dudley too, all of us in borrowed dresses, so hastily had it been organized.

…The chapel smells sweet, the incense seems to have got into the very stones, and I have a vision of my sister murmuring out her vows in a cloud of perfumed smoke, Guildford Dudley taking her right hand and she snatching it back, pressing it up against her left in prayer, eyes firmly shut.’ (p184-185, Sisters of Treason) (c) Penguin

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White Queen soundtrack to be released…


Finally the wonderful soundtrack of The White Queen (shown on TV last year) will be released at the end of June. Composed by John Lunn, you can read further details here:

The White Queen Soundtrack details – Film Music Reporter


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Sisters of Treason Interview with Elizabeth Fremantle


Elizabeth Fremantle is the author of ‘Sisters of Treason’ and ‘Queen’s Gambit.’

‘Sisters of Treason’ is available to buy now in the UK and will be published in the US in July.

To buy her new novel:

Elizabeth Fremantle – Sisters of Treason

Penguin Books


(c) Paola Pieroni

(c) Paola Pieroni


Follow Elizabeth Fremantle on Social Media:

Elizabeth’s website: www.elizabethfremantle.com
Twitter: @lizfremantle
Facebook: Elizabeth Fremantle


Many thanks to Elizabeth for answering my questions.


(c) Penguin

(c) Penguin


Why did you choose the Grey sisters as the focus of the second novel in your Tudor trilogy?

There are many reasons, not least because the three Grey sisters’ lives are so very poignant and surprisingly little known, though they were lived at the very heart of the struggle for the Tudor succession. For me it was a natural progression from Katherine Parr’s story, which I focused on in Queen’s Gambit. Both Jane Grey and Elizabeth Tudor had been part of the Dowager Queen’s household and shifting emphasis onto the Grey family for my second novel, enabled me to explore, from an oblique angle, the period of history when the English were forced to accept not one but two Queens regnant – a fascinating time that required unprecedented social adjustment. The trilogy as a whole charts, through the lens of different female protagonists, the rise and eventual demise of Elizabeth. In Sisters of Treason it is clear that Elizabeth’s will was a pivotal factor in the lives of Katherine and Mary Grey.


Which was your favourite sister to write about?

Though Katherine’s story is inherently more romantic and tragic, I’d have to say Mary. Initially my idea had been to write exclusively from Mary’s perspective as I had a strong desire to give voice to a woman living with disabilities. She was burdened with severe scoliosis and was very small of stature at a time when physical blemishes were thought to be the devil’s work, yet she was manifestly not divested of spirit by this fact. This is bourn out by the defiance she demonstrated. For me she is the heart of the novel and a true heroine.


What gave you the idea to have Frances, Duchess of Suffolk and Levina Teerlinc witness Jane’s execution?

This was a key scene that made sense of all the later events and it was important for understanding the bond of friendship between the two women. Having Levina’s close third person perspective also to gives the reader a visceral sense of the tragedy and heightens the impact, which might not have been the case had I employed a more distant, omniscient narrator. Her painterly eye allowed me to make the scene very visual, and the symbol of the gush of blood became a kind of refrain through the novel as if Jane was haunting the narrative.


In the novel you write from the point of view of Catherine and Mary. Which sister was it easiest to write as and why?

Katherine’s voice seemed to arrive fully formed and Mary’s was much more challenging. Mary is such a complex character and was only nine at the start of the novel and transforms greatly through the narrative, whereas Katherine’s personality remains fairly stable.


Your portrayal and descriptions of Queen Mary are not very sympathetic. Is this because they are from the view point of Mary Grey?

Yes, absolutely! As each girl tells her own story from a first person perspective I felt it was essential to maintain their intimate opinions of those around them. Each has her own slightly differing vision of Mary Tudor. She is certainly an antagonist for all three protagonists and so comes off rather badly in the telling, I’m afraid. My personal view is more nuanced and a little of that seeps into the narrative. Mary was driven by her faith and the over-arching belief that she had God on her side. I suppose she was a latter-day fundamentalist.


Other than as a witness to events, why did you make Levina Teerlinc a major character?

Levina offered the opportunity to see life outside the court. The girls’ lives were so cloistered and so much of the context of the story needed to be established outside the confines of the royal palaces. I was intrigued by the idea of a woman working as a painter, as it was so unusual for the period, and Levina allowed me to visit the theme of ‘women in charge’, that I explored through the two Queens, from a differing perspective. It was also important to have a more mature overview of events as a counterpoint to the girls’ limited and naïve viewpoints; this is why her account is written in the third person, allowing a broader vision.


Mary Grey comments that, ‘They are not so different, those sister queens, their spirits both woven through with ruthlessness.’ Which court was the most dangerous for the Grey sisters? Mary or Elizabeth’s?

In the context of the younger Grey girls I believe it was Elizabeth who proved the greater adversary, but it is impossible to forget what happened to Jane at the hands of Mary Tudor.


Can you tell us any details about the final novel in the trilogy?

The third novel is focused around the life of Penelope Devereux, her love affair with Sir Phillip Sidney and her involvement in her brother, the Earl of Essex’s political coup. This gives the gist of the story:

The daughter of the Queen’s nemesis, Penelope Devereux, arrives at court blithely unaware of its pitfalls and finds herself in love with one man, yet married off to another. Bestowed with beauty and charm she and her brother, The Earl of Essex, are drawn quickly into the aging Queen’s favour. But Penelope is saddled with a husband who loathes her and chooses to strike out, risking her reputation to seek satisfaction elsewhere. Life at the heart of the court though, is not only characterised by the highs and lows of romance, there are formidable factions at work who would like to see the Devereux family brought down. It seems The Earl of Essex can do no wrong in the eyes of the Queen but as his influence grows so his enemies gather and it is Penelope who must draw on all her political savvy to prevent the unthinkable from happening.

Told from the perspective of Penelope and her brother’s greatest enemy the politician Cecil, this story, wrought with love, hatred and envy, unfolds over two decades in which we see the last gasps of Elizabeth’s reign, and the deadly scramble for power in a dying dynasty.


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