Lady Jane Grey Reference Guide

So what was Queen Elizabeth going to do with a kingdomless queen likely to take hers?

She had her placed under house arrest with her old friend Bess of Hardwick, then married to her fourth husband, the wealthy and influential Earl of Shrewsbury. The charismatic Scotswoman was treated more like a dowager queen than a prisoner and enjoyed the Shrewsbury’s affluent lifestyle until Bess suspected Mary of seducing her husband. Played against the never-ending threat of a Catholic uprising, for sixteen years Bess was forced to accommodate Mary and her entourage at enormous cost to both her finances and her marriage. So it was just as well that Bess was the second-richest woman in the kingdom! Bess had also known the doomed Jane Grey and Mary Tudor, Queen of France. Bess had been in service in the Grey household and companion to the infant Jane. Mary Tudor had been godmother to Bess’s fifth child.

Four Queens and a Countess delves deep into the relationships of these women with their insurmountable differences, the way they tried to accommodate them and the lasting legacy this has left. The clash of personalities and its deadly political background have never been examined in detail before.’

Jane is known to history as “the Nine Days Queen,” but her reign lasted, in fact, for thirteen days. The human and emotional aspects of her story have often been ignored, although she is remembered as one of the Tudor Era’s most tragic victims. While this is doubtlessly true, it is only part of the complex jigsaw of Jane’s story. She was a remarkable individual with a charismatic personality who earned the admiration and affection of many of those who knew her. All were impressed by her wit, passion, intelligence, and determined spirit. Furthermore, the recent trend of trying to highlight her achievements and her religious faith has, in fact, further obscured the real Jane, a young religious radical who saw herself as an advocate of the reformed faith―Protestantism―and ultimately became a martyr for it.

Crown of Blood is an important and significant retelling of an often-misunderstood tale: set at the time of Jane’s downfall and following her journey through to her trial and execution, each chapter moves between the past and the “present,” using a rich abundance of primary source material (some of which has never been published) in order to paint a vivid picture of Jane’s short and turbulent life. This dramatic narrative traces the dangerous plots and web of deadly intrigue in which Jane became involuntarily tangled―and which ultimately led to a shocking and catastrophic conclusion.’