Hans Holbein
1539
9 July 1540
‘This is the formal record of nullification, signed by the Archbishops of Canterbury and York.’
‘This is the formal record of nullification, signed by the Archbishops of Canterbury and York.’
‘This piece is similar to he diamond and ruby pendant in Jane’s portrait, which was also listed in inventories of Katherine Howard and Katherine Parr’s jewels.’
‘Henry and Anne inscribed loving messages to each other in this Book of Hours…Anne’s inscription survives, ;By daily proof you shall me find/ To be to you both loving and kind.’
‘This French Psalter was a bespoke commission for Anne.’
‘This is the only portrait of Anne that has never been questioned. The likeness is abraded but the sitter can be identified as Anne through the AR initials, for Anna Regina, and the inclusion of her motto, ‘The Most Happy’ round the edge.’
‘This pendant is thought to have been one of Henry’s earliest gifts to Anne.’
‘These writs specify the legal process for the execution of Anne and the men condemned with her.’
Katherine’s letter accompanied a report on the English victory at the Battle of Flodden
‘This ivory bowl was said to have belonged to St Thomas Becket, the English saint who was martyred for stressing the rights and privileges of the Catholic Church over the English king, Henry II. Bequeathed to Katherine early in her reign, she had it mounted and decorated with her emblems. Many of Katherine’s emblems were deliberately erased after the annulment of her marriage.’
‘Six Lives: The Stories of Henry VIII’s Queens’ opened at the National Portrait Gallery on 20th June and runs until 8th September. It is a fabulous exhibition and worth every penny!
‘Tudor paintings by Hans Holbein the Younger and contemporary photography by Hiroshi Sugimoto meet in the National Portrait Gallery’s first exhibition of historic portraiture since reopening, presenting a study of the lives and afterlives of the six women who married Henry VIII.
Six Lives chronicles the representation of Katherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Katherine Howard and Katherine Parr throughout history and popular culture in the centuries since they lived. As a frequent source of fascination, the stories of the six women have repeatedly inspired writers and artists of all kinds to attempt to uncover the ‘truth’ of their lives: their characters, their appearance and their relationships. From historic paintings, drawings and ephemera, to contemporary photography, costume and film, the exhibition draws upon a wealth of factual and fictional materials to present the life, legacy and portrayal of six women who forever changed the landscape of English history.’
From – National Portrait Gallery
There is a large portrait of Henry VIII at the beginning of the exhibition but after that the focus is on the six women. Each queen has their own exhibition space…