7th September 1548 – Funeral of Dowager Queen Katherine Parr


Anonymous Narrative of Dowager Queen Katherine Parr’s Funeral and Burial in the Chapel of Sudeley Castle, September (7), 1548


(c) Jennie Rainsford Lady Jane Grey mourns Katherine Parr Re-enactment of Katherine Parr's funeral at Sudeley Castle 2012

(c) Jennie Rainsford
Lady Jane Grey mourns Katherine Parr
Re-enactment of Katherine Parr’s funeral at Sudeley Castle 2010


The anonymous account of the funeral of Katherine Parr. The description can be found in ‘Katherine Parr: Complete Works and Correspondence’ edited by Janel Mueller.

‘A Breviate of the Internment of the lady Katherine Parr, Queen Dowager, late wife to King Henry VIII, and after, wife to Sir Thomas, Lord Seymour of Sudeley, and High Admiral of England.

Item – On Wednesday, the fifth of September, between two and three of the clock in the morning, died the aforesaid lady, late Queen Dowager, at the castle of Sudeley in Gloucestershire, 1548, and lieth buried in the chapel of the said castle.

Item – She was cered and chested in lead accordingly, and so remained in her privy chamber until things were in a readiness.

Hereafter followeth the provision in the chapel.

Item – It was hanged with black cloth garnished with escutcheons of marriages viz. King Henry VIII and her in pale, under the crown; her own in lozenge, under the crown; also the arms of the Lord Admiral and hers in pale, without crown.

Items – Rails covered with black cloth for the mourners to sit in, with stools and cushions accordingly, without either hearse, majesty’s valence, or tapers – saving two tapers whereon were two escutcheons, which stood upon the corpse during the service.

The order in proceeding to the chapel.

First, two conductors in black, with black staves.
Then, gentlemen and esquires.
Then, knights.
Then, officers of houshold, with their white staves.
Then, the gentlemen ushers.
Then, Somerset Herald in the King’s coat.
Then, the corpse borne by six gentlemen in black gowns, with their hoods on their heads.
Then, eleven staff torches borne on each side by yeomen about the corpse, and at each corner a knight for assistance – four, with their hoods on their heads.
Then, the Lady Jane, daughter to the lord Marquis Dorset, chief mourner, led by a estate, her train borne up by a young lady.
Then, six other lady mourners, two and two.
Then, all ladies and gentlewomen, two and two.
Then yeomen, three and three in a rank.
Then, all other following.

The manner of the service in the church.

Item – When the corpse was set within the rails, and the mourners placed, the whole choir began, and sung certain Psalms in English, and read three lessons. And after the third lesson the mourners, according to their degrees and as it is accustomed, offered into the alms-box. And when they had all done, all other, as gentlemen or gentlewomen, that would.

The offering done, Doctor Coverdale, the Queen’s almoner, began his sermon, which was very good and godly. And in one place thereof, he took a occasion to declare unto the people how that there should none there think, say, nor spread abroad that the offering which was there done, was done anything to profit the dead, but for the poor only. And also the lights which were carried and stood about the corpse were for the honor of the person, and for none other intent nor purpose. And so went through with his sermon, and made a godly prayer. And the whole church answered, and prayed the same with him in the end. The sermon done, the corpse was buried, during which time the choir sung Te Deum in English.

And this done, after dinner the mourners and the rest that would, retruned homeward again. All which aforesaid was done in a morning.’

(p.180-182, ‘Katherine Parr: Complete Works and Correspondence’ edited by Janel Mueller.)

You can see more photos from the re-enactment at Sudeley Castle’s Facebook Page

Thank you to Jennie Rainsford for letting me use her photo.


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All these books added…


Lots of updates to the website: Updates.


(c) Edbury Press

(c) Edbury Press

(c) Little Brown

(c) Little Brown

 (c) Merrell Publishers

(c) Merrell Publishers

(c) Amberley Publishing

(c) Amberley Publishing

 (c) OUP Oxford  March 2015

(c) OUP Oxford


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My visit to Hardwick Hall


I first became became aware of Arbella Stuart through her connection to the Grey family. However, Arbella turned out to be fascinating in her own right and ever since I read ‘Arbella: England’s Lost Queen’ by Sarah Gristwood, I have wanted to visit Hardwick Hall.


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This summer was the perfect time to visit as the Hall is running an exhibition about Arbella to mark the 400th anniversary of her death on 25th September 1615.


 On the approach to the Hall

On the approach to the Hall


Arbella had a claim to the throne of England through her father, Charles Stuart. Arbella was the great-granddaughter of Margaret Tudor, cousin to James VI of Scotland and niece of Mary Queen of Scots.



However, it is Arbella’s maternal grandmother who links her to Hardwick. Arbella was the grand-daughter of Bess of Hardwick and lived with her, after the early deaths of her parents.



‘Bess was born at Hardwick in about 1527…The Hardwicks were minor gentry who had been established at Hardwick for at least six generations. They owned a few hundred acres and lived in a small manor house on the site of Hardwick Old Hall.’ (1)


 The site of Hardwick Old Hall

The site of Hardwick Old Hall


After the breakdown of her fourth and final marriage, Bess bought the house and land from her brother James. ‘Between about 1585 and 1590 (Bess) enlarged and remodelled the old house to become what is now known as Hardwick Old Hall.’ (2)

In 1590, Bess’s husband, Lord Shrewsbury, died. It was then that ‘she laid out the foundations of a new, larger and grander house a few yards away from the still uncompleted Hardwick Old Hall….The next thirteen years were spent in building and furnishing Hardwick…’ (3)


 ' Hardwick Hall, more glass than wall.'

‘ Hardwick Hall, more glass than wall.’


‘Various means were used to obtain complete all-round symmetry at Hardwick, and yet provide the rooms of all shapes and sizes that were needed. A few windows are completely false and have chimneypieces behind them.’ (4)


 The start of the exhibition.

The start of the exhibition.



 The Tudor and Stuart succession

The Tudor and Stuart succession


Arbella as a toddler

Arbella has a toddler


‘The portrait of Arbella Stuart as a toddler…is surely too idiosyncratic not to have been painted from life.’ (5)


 The main staircase

The main staircase


‘To Madame de Chateauneaf, wife of the French Ambassador, Elizabeth made a calculatedly tantalizing remark…the queen said ‘Look to her well: she will one day be as I am and a lady mistress. But I will have gone before.’ (6)


The High Great Chamber


‘This is the most undilutedly Elizabethan room in Hardwick, and the most magnificent.’ (7)


 Portraits of Bess of Hardwick, Elizabeth I and Arbella Stuart

Portraits of Bess of Hardwick, Elizabeth I and Arbella Stuart


‘What was Bess aiming at?…Elizabeth splendidly received and feted at Hardwick. Arbella declared her heir, further royal visits and the subsequent glorification of the Cavendish family – something like this may lie behind the great echoing rooms at Hardwick, waiting, as it turned out, for a Queen who never came, and a royal succession which never materialised.’ (8)


 Arbella Stuart

Arbella Stuart



The Long Gallery


‘Measuring 51 metres long, 8 metres high and varying from 6.7 to 12 metres in width, the Hardwick Gallery is the largest (although not the longest) of surviving Elizabethan long galleries, and the only one to retain both its original tapestries and many of its original pictures.’ (9)



According to the 1601 inventory of Hardwick, ‘It was sparsely furnished with two square inlaid tables, covered with carpets, three chairs, three low stools, a footstool, two forms, two mirrors, a little ivory table and a fire-screen. In each window was a window seat furnished with a richly embroidered cushion.’ (10)


 Portraits in the Long Gallery

Portraits in the Long Gallery


Bess of Hardwick

Bess of Hardwick


 Portraits of Mary Queen of Scots and James V and Mary of Guise

Portraits of Mary, Queen of Scots and James V and Mary of Guise


It was in the gallery that Bess and Arbella were walking when a messenger arrived from court in January 1603.

Sarah Gristwood writes, ‘The scene bore a brief, transitory resemblance to that which had been enacted at Hatfield some forty years before, when the messenger came to tell the then princess Elizabeth that she was queen.’



 The fate of Arbella Stuart

The fate of Arbella Stuart


The Green Velvet Room



Arbella

Arbella


The Lobby between the blue room and the north staircase


Portrait of Mary Queen of Scots and Lord Darnley

Portrait of Mary Queen of Scots and Lord Darnley


The Blue Room



The Cut-Velvet Bedroom



The Dining Room



The Drawing Room





Sources

1. National Trust. (2006) Hardwick Hall, Park Lane Press, p.44
2. Ibid p.47
3. Ibid p.48
4. Ibid p.53
5. Gristwood, Sarah. (2004) Arbella: England’s Lost Queen, Bantam, p.46
6. Ibid p.99-100
7. National Trust. (2006) Hardwick Hall, Park Lane Press, p.12
8. Ibid p.13
9. Ibid p.16
10. Ibid.
11. Gristwood, Sarah. (2004) Arbella: England’s Lost Queen, Bantam, p.182


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Streatham portrait update from Montacute House


(c) NPG 6804; Lady Jane Dudley (nee Grey) by Unknown artist

(c) NPG 6804; Lady Jane Dudley (nee Grey) by Unknown artist

A huge thank you to Montacute House for providing the details of the Streatham portrait of Lady Jane. The portrait has been on display in Room 2 since late spring.



You can read about the update here:

A look at how the Streatham portrait has been displayed over the years…



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Events by Place – 29 August 1553 – The Tower of London


The author of ‘The Chronicle of Queen Jane’ dines with Lady Jane.


Site of Nathaniel Partridge's House

Site of Nathaniel Partridge’s House


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