A book that features Ladies Jane and Katherine Grey to look forward to….


23rd September 2021 – The Tudors in Love: The Courtly Code Behind the Last Medieval Dynasty by Sarah Gristwood


(c) Oneworld Publications


‘Why did Henry VIII marry six times? Why did Anne Boleyn have to die? Why did Elizabeth I’s courtiers hail her as a goddess come to earth?

The dramas of courtly love have captivated centuries of readers and dreamers. Yet too often they’re dismissed as something existing only in books and song – those old legends of King Arthur and chivalric fantasy.

Not so. In this ground-breaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty. From Henry VIII declaring himself as the ‘loyal and most assured servant’ of Anne Boleyn to Elizabeth I’s poems to her suitors, the Tudors re-enacted the roles of the devoted lovers and capricious mistresses first laid out in the romances of medieval literature. The Tudors in Love dissects the codes of love, desire and power, unveiling romantic obsessions that have shaped the history of this nation. In the #MeToo era, re-examining the history of the social codes behind modern romance has never been more vital.’

From Amazon.co.uk

Further details – Oneworld Publications

From Amazon.co.uk

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Books 2021 – on sale now – Six Tudor Queens: Katharine Parr, The Sixth Wife by Alison Weir


(c) Headline Review


‘A WOMAN TORN BETWEEN LOVE AND DUTY.

Two husbands dead, a boy and a sick man. And now Katharine is free to make her own choice.

The ageing King’s eye falls upon her. She cannot refuse him… or betray that she wanted another.

She becomes the sixth wife – a queen and a friend. Henry loves and trusts her. But Katharine is hiding another secret in her heart, a deeply held faith that could see her burn…

KATHARINE PARR. HENRY’S FINAL QUEEN. HER STORY.’

From Amazon

Further details – Alison Weir

Further details – Amazon



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Books 2021 – On sale today…



(c) Chronos Books


‘As a collective, the lives of the Princesses of York span across seven decades and the rule of five different Kings. The daughters of Edward IV and Elizabeth Woodville, they were born into an England that had been ruled over by the great Plantagenet Kings for almost three hundred years. Their young years were blighted by tragedy: the death of their beloved father, followed by the disappearance and possible murder of their two brothers, Edward and Richard of York, forever now known to history as the infamous Princes in the Tower. With their own futures uncertain during the reign of their uncle, Richard III, and their mother held under house arrest, the Princesses had to navigate their way through the tumultuous years of the 1480s before having to adjust to a new King and a new dynasty in the shape of Henry VII, who would bring about the age of the Tudors. Through her marriage to Henry, Elizabeth of York rebuilt her life, establishing herself as a popular, if not hugely influential Queen. But she did not forget her younger siblings, and even before her own mothers death, she acted as a surrogate mother to the younger York princesses, supporting them both financially and emotionally. The stories of the York Princesses are entwined into the fabric of the history of England, as they grew up, survived and even thrived in the new Tudor age. Their lives are played out against a backdrop of coronations and jousts, births and deaths, marriages and divorces and loyalties and broken allegiances. From the usurpation of Richard III, to the Battle of Bosworth, the brilliance of the court of Catherine of Aragon and Henry VIII, to the rise of Anne Boleyn, the York Princesses were there to witness events unfold. They were the daughters, sisters and aunts of Kings, and this is their story. The York Princesses is a natural follow-up to Sarah J. Hodder’s first book, The Queen’s Sisters, which told the stories of the lives of the sisters of Elizabeth Woodville.’

From – Amazon.co.uk

Further details – Amazon.co.uk






(c) Chronos Books


‘Jane Parker, later Viscountess Rochford, was the sister-in-law of Anne Boleyn and was executed alongside Katherine Howard, yet she has remained in the shadows throughout the years, surrounded by more myths than facts. She is often portrayed as a malicious woman who was jealous of her husband’s relationship with his sister, but the evidence does not support that. So why is she portrayed as such? It may be the ambiguous nature of her dealings with Henry VIII’s fifth queen, Katherine Howard, that have influenced our view of her, but her real story deserves to be told in full. Jane Parker: The Downfall of Two Tudor Queens? is the next instalment in an exciting new historical true crime series from Chronos Books.’

From – Amazon.co.uk

Further details – Amazon.co.uk



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Tudor Life Magazine – An Envious Queen


Members of the Tudor Society can read Sarah-Beth Watkins’s article, in this month’s issue of Tudor Life Magazine.

‘An Envious Queen’ features what happened to Lady Jane’s sister, Katherine Grey when she married without the Queen’s permission.


(c) Tudor Society



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Lady Jane is finally going to Greenwich…


After last year’s postponement, the ‘Lady Jayne’ Streatham portrait will be going on display at the National Maritime Museum in Greenwich, as part of the ‘Tudors to Windsors: British Royal Portraits’ exhibition.


Lady Jane Dudley (née Grey)
(c) National Portrait Gallery


The exhibition runs from 28th May until 31st October 2021.


(c) National Maritime Museum


‘Come face-to-face with the kings and queens who have shaped British history for over 500 years.

Tudors to Windsors: British Royal Portraits, at the National Maritime Museum, includes over 150 of the finest portraits from across five royal dynasties.

Discover how royal portraiture has developed over the last five centuries, from Henry VII to Elizabeth II.’

From National Maritime Museum website

For more information about the exhibition and to book tickets : Tudors to Windsors: National Maritime Museum


The portrait was previously on display as part of the ‘Tudors to Windsors’ exhibition from October 2018 to January 2019 at the Museum of Fine Arts, Houston and from 16th March until 14th July 2019, at the Bendigo Art Gallery, Australia.



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